Le simulazioni di Gloria Coates

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Ching Arianna String Quartet, creativecommons.org/licenses/by/2.0/, no change was made
Il riconoscimento della personalità artistica di un compositore/musicista spesso è immediato: bastano pochi minuti per sapere chi abbiamo di fronte. Nel caso della compositrice americana Gloria Coates (da tempo vivente e operante in Germania) non c’è dubbio che quel principio viene riesumato: partita negli anni sessanta nell’àmbito

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Articolo precedentePoche note sul jazz italiano (8° parte): batteria e percussioni
Articolo successivoErwan Keravec: Nu Piping
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1600 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.