Ryan Carter: Chamber works

0
158

In music the average listener usually tries to find a rhythm in any composition but modern music changes his perceptions: the composer tends to elaborate rhythm, to segment it, to stratify it. Stravinsky began to create figures, Elliott Carter in his string quartets imposed new attractive perspectives and composers like Reich even created a theory of phasing. The composer has usually a clear

in alternativa
Articolo precedenteL’IrRational music di Elliott Sharp
Articolo successivoTrasduttori: utilizzi e sostanza estetica
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1500 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.