Per una teatralità rock senza apparenti orizzonti

0
66
photo Takahiro Kyono, Nick Cave & The Bad Seeds - Dalhalla, Rattvik, Sweden 14 June 2018, https://creativecommons.org/licenses/by/2.0/, no change was made

Se ci concentriamo sulla musica rock o pop degli ultimi vent’anni, notiamo una netta defaillance delle qualità teatrali degli artisti o, nei casi in cui venga coltivata una sensibilità teatrale, bisogna far appello a tutta la pazienza del buon gusto per trovare fascino e attributi. In questi giorni è stato pubblicato il nuovo lavoro di Nick Cave, dal titolo Ghosteen, e non ho

in alternativa
Articolo precedenteMappature, distanze e meccaniche celesti: Erik Oña
Articolo successivoClemens Gadenstätter: Semantical investigations
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1500 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.