Mourned by the wind: Giya Kancheli

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The Holy Trinity Cathedral of Tbilisi - Source Own work Author Mostafameraji -Creative Commons Attribution-Share Alike 4.0 International license.

Uno dei motivi principali per cui Giya Kancheli (1935-2019) è molto amato da scrittori, filosofi o musicologi è il fatto che il compositore georgiano è un emblema dell’estetica decadente del secondo novecento: Dylan Trigg gli ha dedicato uno spazio nel suo The Aesthetics of Decay: Nothingness, Nostalgia, and the absence of reason, provando a spiegare come Kancheli fosse molto vicino a quel concetto

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Articolo precedenteIl tema dell’orchestra al festival Donaueschingen 2019
Articolo successivoMassimo De Mattia e le città non condivisibili
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1600 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.