Massimo De Mattia e le città non condivisibili

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Kangbashi, a subdivision of the Chinese city of Ordos, Inner Mongolia: a city newly built in the middle of no where is a ghost city which can accommodate up to a million people is completely empty with empty shopping malls, roads, parks, etc.Source Ordos, China's biggest Ghost city. Author Uday Phalgun, Creative Commons Attribution 2.0 Generic license.

Qual è oggi un buon modo per superare clichés musicali ed offrire prospettive nuove nella musica? Si possono superare certe convinzioni e trovare valore e riconoscimento estetico attraverso altri canali di congiunzione e comprensione? Sembrerebbe una domanda complessa, con difficoltà di risposta, che resta nella disponibilità di chi l’ha incontrata una nuova prospettiva e ha trovato il suo habitat. Il flautista Massimo De

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Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1600 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.