Patrick Ozzard-Low: In opposition

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Many make a mistake of evaluation when they reflect on the innovative value of Boulez and Barraqué’s sonatas on the piano: the musical literature was complicit in that approach that pervaded the world of the arts immediately after the Second World War, where any expression was considered new and there were no reasons for a deepening of the musical realities proposed in that

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Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1600 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.