I’ve known rivers: pensare al jazz come un compositore

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Photo Alex Dutilh, James Newton & Anthony Davis, cover live in NYC 1981

Nei plurimi rapporti tra jazz e musica classica nel Novecento, c’è n’è uno piuttosto trascurato dalla critica, che ebbe vita grazie ad una manciata di artisti americani tra il 1977 e il 1985. Non si configurò come un movimento, naturalmente, ma considerava la musica classica in un modo nuovo, differenziando le visuali delle due principali aree di ricerca e collegamento, stimolate dal free

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Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1600 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.