Sulla ridondanza in musica

Pedro Ribeiro Simões, Abstraktes Bild (Nº 635) (1987) - Gerhard Richter (1932) Belem, Berardo Collection, Centro Cultural de Belem, Lisbon, Portugal,

Nell’ultimo lavoro del chitarrista norvegese Stian Westerhus la parte finale svela l’interesse del musicista verso il concetto della “ridondanza”, attuata tramite un set di frasi ripetute per la maggior parte del brano:

Never never ever ever again
won’t change my life just to come across kind
cos you never ever ever gave me a choice
swallowed my pride just to keep us alive
(tratto da Redundance, etich.

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Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1600 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.