Experimental pop: oltre lo specchio deforme

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Open Source Festival 2015; Düsseldorf Galopprennbahn': 'Laurel Halo', Source Own work Author © Markus Felix , Own work, copyleft: Multi-license with GFDL and Creative Commons CC-BY-SA-3.0 and older versions (2.5, 2.0 and 1.0)

Negli ultimi vent’anni del pop sperimentale, i musicisti hanno virato con veemenza verso forme surrealistiche di musica, sempre più orfane di una melodia con un minimo di definizione e sempre più ricche di elementi decomposti, con tanti riferimenti imbrigliati in un ambiguo rapporto di contrasto con la società di internet e la decadenza delle arti. In una pregnante

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Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1600 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.