Jazz from Detroit

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Elvin Jones @ Keystone Korner, San Francisco CA 4/22/80 © Brian McMillen / brianmcmillen@hotmail.com, Creative Commons Attribution-Share Alike 4.0 International license.

A scrivere un libro sul jazz di Detroit ci avevano già pensato quasi vent’anni fa due esperti dell’argomento*, tuttavia la loro analisi si perdeva troppo nella storia, nella sociologia e nella mappatura di posti e locali dedicati, lasciando pochissimo spazio ad un’analisi critica di quanto successo a Detroit dal Novecento in poi. Di questa necessità se ne è

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Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1600 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.