Jaime Reis: Fluxus

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L’avvento dell’elettronica costrinse i compositori a rivedere i piani di utilizzo dei materiali nella composizione e si cominciò a pensare a quali fossero i metodi migliori per ottenere un uso efficiente delle risorse ai fini artistici. L’incontro tra musica strumentale ed elettronica (che nell’epoca del suo esordio si materializzava sotto forma di disciplina operante sui nastri) ebbe subito

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Articolo precedenteSteve Reich: Music for 18 Musicians
Articolo successivoPunti di vista variabili della composizione
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1600 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.