Field recording and climate change

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Two_individuals_at_Field_Recording_trip_In_Iceland_at_Seltún_Geothermal_Area, Source Own work Author Free To Use Sounds, CC BY-SA 4.0

Quando intorno al 1970 Murray Schafer cominciò a parlare di campi di registrazione destinati al rispetto ecologico degli habitat sonori, fissò un principio che non era mai stato destinato prima alla realtà sonora: nessuno aveva mai pensato che la musica potesse essere legata ad un luogo con caratteristiche specifiche. Nei tempi in cui si cominciava a mettere in

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Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1600 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.