Modern, post-modern, so what: un ricordo su John Russell

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Vortex, London - 15/16/17 August 2010, Source Flickr: Fete Qua Qua, Author Andy Newcombe, Creative Commons Attribution 2.0 Generic license.
Il chitarrista John Russell faceva parte della seconda generazione di improvvisatori inglesi come Beresford, Solomon o Toop. Era una generazione ancora più slegata dal jazz, anche se era brevissima la distanza temporale dalla prima (Parker, Bailey, etc.): uno scetticismo piuttosto pronunciato assaliva coloro che tentavano un approccio con quel tipo di musica e Trevor Barre, nel

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Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.