L’insostenibile leggerezza dell’essere: dalla new wave ai Matmos

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Source Big Ears Festival 09, Matmos Author The Art Gallery of Knoxville from USA, Creative Commons Attribution-Share Alike 2.0 Generic license. No change was made
Alla metà degli anni settanta una vera e propria onda d’urto colpì la materia rock e pop: il vasto movimento del punk e soprattutto quello più ampio denominato “new wave” avevano deformato i tradizionali punti di vista della musica in maniera irreparabile; per quanto riguarda il sentiment c’era stato un controcircuito: si era passati da un sistema nutrito di “valori” positivi

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Articolo precedenteShock e ambiguità musicale
Articolo successivoEve Risser/Benjamin Duboc/Edward Perraud: En Corps
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.