Verso un’estetica della totalità: una lettura critico-filosofica del pensiero di Richard Wagner

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Royal Opera House Covent Garden Richard Wagner, photograph by Franz Hanfstaengl (1804–77), https://creativecommons.org/licenses/by-sa/2.0/, no change was made

Spesso è importante sondare pubblicazioni che ammettono incroci e parallelismi tra la musica e le altre arti contingenti: l’attrazione verso questo bellissimo libro edito dalla Mimesis, rinvenuto nella sezione della filosofia del teatro, è

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Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.