Best 2018: la lista dei più fascinosi dell’anno

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Senza nessun ordine di preferenza.

Classica e Contemporanea
-Xiaoyong Chen, Imaginative reflections, Ensemble Les Amis Shangai, ColLegno
-Wenchen Qin, Orchestral works, ORF Vienna Radio Symphony Orchestra, Kairos
-Lei Liang, A thousand mountains, a million streams, Boston Modern Orchestra Project
-Milica Djordjevic, rock-stars-metals-light, Munchener Kammerorchester/Symponieorchester des Bayerischen Rundfunks/Ensemble Recherche/Armida Quartett, ColLegno
-Wallin-Buene, Violin concerto, Under city skin, etc., Peter Herresthal, Bis R.
-William Bolcom, Piano Music, Naxos
-Earle Brown, Selected works for piano and/or Sound-Producing Media, Gianni Lenoci, Amirani
-Alberto Posadas, Erinnerungsspuren, Florian Hoelscher, Wergo
-George Crumb, Makrokosmos I, II, III, Yoshiko Shimizu/Rupert Struber, Kairos
-Rihm, Zimmermann, Thomalia, Dohmen, Clementi, Songs and poems, Trio Accanto, Wergo
-Malin Bang, Structures of light and spruce, Curious Chamber Players, Neos
-Signe Lykke, Body Textures, The Danish Youth Ensemble, Da Capo

-Gerard Pesson, Blanc Merité, Ensemble Cairn, Aeon
-Claus-Steffen Mahnkopf, Music for oboe, Peter Veale, Neos
-Toivo Tulev, Magnificat, Latvian Radio Choir, Naxos
-Lauri Porra, Entropia, Lahti Symphony Orchestra, Bis
-Michael Gordon & Kronos Quartet, Clouded yellow, Cantaloupe
+singolarmente i pezzi da me indicati all’interno dell’articolo Ancora sul costruttivismo russo: futuro o insanabile ambiguità? (Elena Rykova, Tatiana Gerasimenok, Alexander Khubeev, Marina Khorkova, Dmitri Kourliandski, Kirill Shirikov, etc.)

Italian Composition
Osvaldo Coluccino, Emblema, Ex Novo Ensemble, Kairos
Zeno Baldi, Bonsai, Divertimento Ensemble, Stradivarius
Pierluigi Billone, Om On, Yaron Deutsch/Tom Pauwels, Kairos
Roberto Fabbriciani, Alluvione, Stradivarius
Giorgio Colombo Taccani, Eremo, Parrino/Bonuccelli/Akiko, Stradivarius
Fabio Nieder, Obraz, Orvieto/Vidolin/Richella/Savron, Stradivarius
e singolarmente:
Daniele Ghisi-Boris Labbé, Any Road
Giorgio Netti, Renato Calderone, Ur
Teresa Treccozzi, Sonata magnética, Vertixe Sonora
Simone Movio, Incanto VII in Double Bach, Annette Bik, Collegno

Improvvisazione (jazz, libera, elettroacustica, compo-improv, etc.)
-Kris Davis & Craig Taborn, Octopus, Pyroclastic R.
-Norbert Rodenkirchen-Robbie Lee-James Ilgenfritz, Opalescence, Telegraph Harp R.
-Parlato-Chagas-Lenglet-Gibbs, Wasteland, Setola di M.
-Trio Magnar Am-Geir Hjorthol-Andreas Barth, The broken vessel, Ravello
-Nik Bartsch’s Ronin, Awase, Ecm
-Grimal-Ceccaldi-Duboc, Bambù, Ayler R.
-Laura Schuler, Elements and songs, Veto
-Gabriela Friedli Trio, Areas, Leo R.
-Ivo Perelman, Strings 1, Leo R.
-Elisabeth Harnik, Ways of my hands, Klopotec R.
-Tyshawn Sorey, Pillars, Firehouse 12 Records
-Peter Brotzmann & Heather Leigh, Sparrow nights, Trost R.
-Keith Jarrett, La Fenice, Ecm
-Guy Frank Pellerin-Matthieu Bec, Saxa Petra + Pellerin-Matthias Boss, Du vent dans les cordes, Setola
-Carrier-Lambert-Mazur, Beyond dimensions, FMR

Italian Improvisation
Quartetto De Mattia-Pacorig-Maier-Giust, Desidero vedere, sento, Setola di M.
Quintetto Marraffa-Di Giulio-Guazzaloca-Bernard-Grillini, Tell no lies, Fonterossa
Trio Mimmo-Corda-Orrù, Clairvoyance, Amirani
Davide Merlino-Sabir Mateen, Live at Big Lebowski, Floating Forest R.
Giuseppe Doronzo, Goya, Tora R.
Antonio Bertoni, Terre occidentali, Loup E.
Flavio Zanuttini, La notte, Clean Feed R.
Marco Colonna, Prometheus, aut.
Francesco Massaro, Maniera Nera, Creative Sources R.
Davide Rinella, Quando ero un bambino farò l’astronauta, aut.
Gianna Montecalvo e Antonella Chionna con Pat Battstone, The last taxi: in transit, Leo R.
Daniele Roccato & Ludus Gravis Ensemble, Alisei, Ecm

Elettronica, elettroacustica, field recordings, noise, drone, weird, computer music
eRikm, Mistpouffers, Empreintes Digitales
Yann Novak, The future is a forward escape into the past, Touch R.
Jana Winderen, Spring bloom in the marginal ice zone, Touch R.
Jérémie Mathes, In[Core]Wat[t], Unfathomless
Brian Eno, Music for installations, Umc
Bob Bellerue, Music of liberation, Elevator Bath
Lea Bertucci, Metal aether, NNA Tapes
Tim Hecker, Konoyo, Kranky
Basinski-English, Selva Oscura, Temporary Residence Limited
Officina F.lli Seravalle, Us frais cros fris frics secs, Zeit Interference
Ilpo Vaisanen, I-LP-ON, Aanet, Editions Mego

Rock/pop/folk e affini 
Low, Double negative, Subpop
Julia Holter, Aviary, Domino
Laura Marling & Mike Lindsay, Lump, Dead Oceans
The Necks, Body, Northern spy
Lonnie Holley, Mith, Jagjaguwar
Alela Diane, Cusp, Allpoint
Neneh Cherry, Broken politics, N.C.
Villagers, The art of pretending to swim, Domino

Etnica
Gurrumul Yunupingu, Djarimirri (Child of the rainbow), Skinnyfish Music
Dwiki Dharmawan, Rumah Batu, Moon June R.
Dhafer Youssef, Sounds of mirrors, Anteprima
Catrin Finch & Seckou Keita, Soar, Bendigedid
Mehr Ali & Sher Ali, Qawwali, the essence of desire, Seminal Qawali R.

Saggi/Libri/Contributi musicali
La Révolution digitale dans la musique, Harry Lehman, Editions Allia (francese)
Voci Nere. Storia ed antropologia del canto afroamericano, Gianpaolo Chiriacò, Mimesis
Filosofia del minimalismo, Alessandro Carrera, Casa Musicale Eco
Solchi sperimentali kraut, Antonello Cresti, Crac

 

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Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.