Franck Bedrossian: Twist, Edges, Epigram


Rightly Thomas Meyer in the internal notes raises the question of how alive the interest for music defined as “excess of sound” among the experts and he does it in the right place, that of a new monograph by Franck Bedrossian for Kairos , which includes three of his most recent emblematic compositions (these are Twist, for orchestra and live electronics, Edges for

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Articolo precedenteStefan Weglowski: From 1 to 7
Articolo successivoMichael Pelzel: Gravity’s Rainbow
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.