Diversi livelli di saturazione acustica: Raphaël Cendo

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foto cover CD Furia

Il primo lavoro di Raphaël Cendo che esplora la saturazione musicale si colloca nelle disponibilità della grande orchestra lirica del Conservatorio di Parigi nel gennaio del 2005: dedicato alla memoria di Fausto Romitelli, Rage in the heaven city fu composto l’anno prima (2004), dopo che Franck Bedrossian aveva praticamente sancito l’atto di nascita della fenomenologia saturazionista con La conspiration

in alternativa
Articolo precedenteStephen Scott e il suo Bowed Piano
Articolo successivoDialogue, Space and Multiplicity in British Improv. Confront Recordings at 25. Interview with Mark Wastell
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1700 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.