Scoprendo i codici di Pamela Z

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ARS ELECTRONICA 2008; A NEW CULTURAL ECONOMY: Sonorous Embodiment- Gro¤e Konzertnacht; Brucknerhaus - Pamela Z: voice and electronics. Foto: rubra (in the Pamela Z's photo Gallery )

Posto che uno degli obiettivi principali fosse l’estensione, le prime cantanti sperimentali si adoperarono per raggiungerlo attraverso i nastri magnetici o le modificazioni timbriche determinate dall’induzione delle macchine elettroniche disponibili nei centri tramite i compositori: esempi illustri vengono da Cathy Barberian o Joan La Barbara che formarono due formidabili coppie in tal senso (Barberian-Berio, La Barbara-Subotnick).

Quando

in alternativa
Articolo precedenteUn pensiero su Peter Rehberg
Articolo successivoI corsi estivi a Darmstadt
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1700 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.