Márton Illés: Watercolors and Psychograms

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Nel Gran Torso, Helmut Lachenmann non aveva scrupoli nell’affermare che quel quartetto d’archi fosse un modo per ricavare le “…mechanic and energetic conditions of sound production…“. Effetto della considerazione peculiare data alle tecniche non convenzionali, il Gran Torso aveva aperto una nuova via anche per lo string quartet, dal momento che il “maltrattamento” sugli strumenti non era certo

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Articolo precedentePhilip Jeck
Articolo successivoAxel Dörner & Mazen Kerbaj – Döner Kebab
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.