Clemens Gadenstätter: multimedia semantic studies

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photo Jana Enzelsberger

On these pages I have often remarked how good music can be the consequence of a formidable thought implemented in the score. If I look at Clemens Gadenstätter‘s music, I have no doubt that this relationship has been taken to its maximum level. I’ll take a step from what I wrote about Semantical Investigations, a monographic CD collection

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Articolo precedenteFree Flow Festival 2022
Articolo successivoFuturo, presente, passato
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.