Il Tony Oxley sperimentale

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Andy Newcombe Farnborough, UK - https://www.flickr.com/photos/92523880@N00/682524201/in/set-72157600586458565/,CC BY-SA 2.0

Gli anni sessanta del Novecento sono un periodo cruciale per delineare cambiamenti definitivi e comportamenti maturi anche per la musica jazz. Prendete in esame quanto è avvenuto per i batteristi o percussionisti europei in quel trapasso che vorticosamente impose all’attenzione del pubblico una nuova categoria di musicisti del genere: nella prima metà dei sessanta, essi erano ancora in

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Articolo successivoChristoph Erb: his latest trio and a short conversation
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.