La composizione per strumento in solo ed elettronica nel ventunesimo secolo: ottoni

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Marco Blaauw performing Saunders with Richter in Kyoto, Japan, CC BY-SA 4.0

Approfondisco, in questa puntata della rubrica dedicata alla composizione per strumento solista ed elettronica del ventunesimo secolo, l’analisi storico-estetica riferibile agli ottoni, con la tipica divisione di massima che solitamente si produce in dottrina: tromba, trombone, tuba e corno francese. Questa ricerca non è stata facile, sia per la scarsità del materiale sonoro sia per l’oblio che coinvolge

in alternativa
Articolo precedenteChristoph Erb: his latest trio and a short conversation
Articolo successivoWith Dmitri Kourliandski and his string quartets
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.