Contemporary flute and piano: a range of action and 10 pieces to survive

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Roma, Parco della Musica, bel canto, dal sito di Roberto Fabbriciani

Bruno Mantovani stated that writing a score for an orchestral instrument in combination with a piano was one of the most difficult things to manage; it was a difficulty that arose in the sclerotization of an instrumental hierarchy that saw the piano as an irreplaceable protagonist, champion of concerts, melodies and compositional exposition. Fortunately, one of the obstacles that was overcome by the contemporary vision of music was precisely the “protagonism” of an instrument: this change made it

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Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.