Isidora Edwards is a Chilean, London-based cellist who investigates the hidden sounds of her acoustic instrument through amplification, effects, electronics, vocals, and texts. She explores friction, pressure, harmonics, blows, and intervention with objects on the strings in search of melodies and tones, transforming the cello into a poetic body seeking a story in sound. Her musical language questions epistemologies of time, listening, freedom, and pleasure.
Luigi Marino is an Italian, Bristol-based percussionist who explores emergent phenomena involving people, objects, and whatever lies in between their shifting definitions. He performs on electronic media and percussion, focusing on the zarb, the computer as an instrument mediating human decision-making, and custom cymbals played with bows and extended through DIY portable circuits.
Edwards and Marino began playing
