Il trombone contemporaneo

0
496
Si può ragionevolmente affermare che alla fine dei settanta del secolo scorso, la materia avanguardistica del trombone fosse quasi totalmente esplorata. Grazie a composizioni come il Solo for sliding trombone di Cage, la Sequenza V di Berio, il Bolos di Rabe & Bark, il One Man di Johnston, il Res/As/Ex/ins-pirer di Globokar o il Ricercar à 5 di Robert Erickson, gran

in alternativa
Articolo precedentePoche note sull’improvvisazione italiana: “estensioni” dell’area toscana
Articolo successivoIvo Perelman: Strings 3 & 4
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.