Verso una visione politica e scientifica dell’improvvisazione

0
438
Source Own work Author Schorle, Creative Commons Attribution-Share Alike 3.0 Unported license.
La decisione di chiudere il Paris Transatlantic fatta da Dan Warburton dopo anni di onorata carriera è uno di quegli eventi che fa pensare: lasciare un settore in cui le conoscenze e le competenze musicali fanno fatica ad essere comprese e divulgate richiedendo solo una “innata” passione per quello che si ascolta e si scrive,

in alternativa
Articolo precedenteDiscussione sull’armonia modale
Articolo successivoRoland Dahinden & Hildegard Kleeb: Recall Pollock
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.