Sylvano Bussotti tra memorie della Passion e stilismo orchestrale

0
200

On a tentè de rapprocher Bussotti de Nono pour son attitude politique, de Berio pour le traitment vocal du langage, de Kagel par le rapport au theatre musical et un certain soin apporté dans la déconstruction, de Cage par l’acceptation d’un certain desordre compensé par un soin particulier apporté au graphique. Cependant, Bussotti n’est rien de tout cela, ce n’est là qu’apparence ou

in alternativa
Articolo precedenteQuale futuro per la world music araba?
Articolo successivoLiberare energia nel contesto contemporaneo: Simone Santi Gubini
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.