Hans Zender

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Source National Gallery of Art - Barnett Newman - The Stations of the Cross - Lema Sabachthani Author Rob Young from United Kingdom, Creative Commons Attribution 2.0 Generic license.
La scoperta dei legami tra linguaggio parlato e suoni non fu solo una prerogativa di Berio. Il tedesco Hans Zender ne condivideva già l’interesse in quegli anni quando a metà dei sessanta componeva i suoi “Canti” costruiti su unità poetiche di Ezra Pounds. Si trattava certamente di una diversa prospettiva rispetto a quella dell’italiano, che, come da lui stesso

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Articolo successivoFifty Years After the Way: James Tenney’s Meta+Hodos
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.