Un clavicembalo corre veloce nelle pieghe dell’attualità

0
337
In un’intervista ad Austrian Music Export, alla clavicembalista Sonja Leipold fu chiesto quali fossero i pionieri contemporanei del clavicembalo. Con una coincisa e sapida risposta la Leipold rispose così: “….the revival of the harpsichord actually began in the 1920s, when Wanda Landowska began working with contemporary composers such as Poulenc, de Falla and others. Elzbieta Chojnacka

in alternativa
Articolo precedenteLe nuovi generazioni compositive italiane: Mattia Clera
Articolo successivoItalian reviews/Inserto recensioni improv Italia, part 1
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.