Yann Robin dopo l’Art of Metal

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Non ci vuole molto a capire che i tre episodi musicali dedicati al clarinetto contrabbasso, la cosiddetta Art of Metal, introdussero un vero cambiamento per il compositore Yann Robin (1974): in quel ciclo molte delle passioni e preoccupazioni del francese furono soddisfatte. Per un amante della fantascienza e dell’horror la materia sonora acquista un valore notevole, poiché l’elevazione

in alternativa
Articolo precedenteGreat perspectives for the electric guitar: Yaron Deutsch
Articolo successivoFree improvisers on vibraphones and marimbas
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.