L’algoritmo: un fantasma attivo

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Foto di Gerd Altmann da Pixabay

Non sono pochi i compositori che si sono interrogati sulle risposte cognitive ed emotive dell’audiance di fronte ad un pezzo di musica composto con algoritmi musicali. Le domande che circondano la mente del compositore, interessato all’accoglimento della sua composizione presso il pubblico degli ascoltatori, spesso si soffermano sulle

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Articolo successivoSu Frank Kimbrough
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1700 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.