La giovane improvvisazione italiana: Francesca Remigi

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Uno degli aspetti essenziali dell’attuale pensiero jazzistico si fonda sul trattamento del “ritmo”. Se ricorriamo alle parabole di musicisti come Steve Coleman, Vijay Yyer, Steve Lehman o Tyshawn Sorey, ci rendiamo conto che sul ritmo si fonda una sorta di capacità di trasformazione delle melodie: l’inventiva dei musicisti jazz ha raccolto la sfida dei contesti sonori, accogliendo tempi

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Articolo precedenteThieke and Fagaschinski: The International Nothing
Articolo successivoHarrison Birtwistle: Il trionfo del tempo
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.