Barre Phillips: i duetti con Kurtág jr. e Roccato

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Barre Phillips solo, Smeltehytta, Konsberg, July 5, 2019. Photo Peter Gannushkin / Downtownmusic.net https://downtownmusic.net

Nel suo libro The philosophy of improvisation, Gary Peters ad un certo punto evidenzia come il successo della libera improvvisazione può risiedere solo nella potenza comunicativa del dialogo e pone come condizione necessaria per il suo raggiungimento quell’idea che Tony Oxley spesso sbandierava sul ritmo, ossia la “continual interruption”, che permette ad una qualsiasi esibizione improvvisativa di sapersi

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Articolo precedentePeter Thoegersen e la ricerca sulla musica politempica e polimicrotonale
Articolo successivoSidera Saxophone Quartet: Koinè
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.