Hèctor Parra and the orchestra


When in 2006 the composer Hèctor Parra Esteve composed Lumières Abyssales-Chroma and Karst-Chroma II, involving the Orchester National d’Ile de France and the Orchester Philharmonique de Liège, the idea of ​how to highlight the concept of tension in music had a further start: the continuous overlapping of the plots, the irregularity of the rhythms and compositional solutions, the

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Articolo precedenteGermano Scurti al MA/IN Festival
Articolo successivoNew Oxford Brevity: Pat Thomas & Dominic Lash
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.