Marlies Debacker’s first solo piano: focus on Shimmer and a conversation with her

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Marlies Debacker, video's screenshot recorded May 2021 at Fattoria Musica studios Osnabrück by Stephan van Wylick

In free improvisation there is already a conspicuous literature addressed to musicians who are heavily immersed in the interior of the piano. Recent examples of explorations managed by seeking a massive accommodation in the sound world that is located under the larger cover of the piano come from people like Sophie Agnel, Agustí Fernández, Magda Mayas, Elisabeth Harnik or Jordina Milla. The investigations of these pianists are not

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Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.