Alessandra Rombolà sul flauto di György Kurtág

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“…malgré la virtuosité exigée de l’interprète, la linéarité contrapuntique le rend très accessible. Mais il y a, chez Kurtág, une légèreté d’un autre âge, une sollecitation de l’effet qui semble tenter une réconciliation de la musique avec une tradition révolue, un besoin d’images musicales qui, certes, peut renaître un jour mais alors sous une forme, sans doute moins conciliante, et qui devrait moins emprunter à la tradition…”
Célestin Deliège, 50 Ans de modernité musicale, su György Kurtág, pag. 329, Mardaga E.

Nelle parole di Deliège non si può far a meno di sottolineare (tra le caratteristiche enunicate per la musica di Kurtág) quanto viene delineato come “virtuosismo”, “accessibilità”

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Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.