Corde, violini e spazi armonici

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Coloro che seguono le vicende artistiche di Ellen Fullman hanno potuto constatare come la compositrice americana non si sia mai seduta sugli allori e abbia cercato con calma ed intelligenza abbinamenti o miglioramenti del suo famoso strumento, il long string instrument, 20 metri circa di corde tese a due estremità con intonazione naturale, che vengono fatte risuonare

in alternativa
Articolo precedenteSebastian Hilli: confluence/divergence
Articolo successivoImprovvisazioni in duo (with a little help from friends)
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.