Cerca di fuggire dal piano jazz (parte prima)


“...Two distinct orders – the harmonic and the polyphonic – correlate within a zone of indistinction or of apparent neutrality. There’s no triumphalism, no climactic apotheoses in this aesthetic of halftones and shimmerings that eschews all aggressive proselytizing. The music elliptically, deliberately, keeps itself just alongside the symbolic, conventional moment of formalization, just askance of the abstract logic

in alternativa
Articolo precedenteDa Ritmi Urbani a Mediterraneo Blues. Ascolto, musica e scrittura nell’opera di Iain Chambers
Articolo successivoCerca di fuggire dal piano jazz (parte seconda)
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.