Elisabeth Coudoux: the cello, the Emiszatett’s project and an interview


In the improvisational act the relationships between the musicians are fundamental and the action is supreme. A part of philosophy and pedagogy’s world have increased emphasis on the importance of the experiential factor tenfold to the detriment of the formative one but on the other hand if you give a little thought to the first free improvisers (especially

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Articolo precedenteBernhard Lang: Works for Piano and a short conversation
Articolo successivoSul nuovo software
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.