Tra diari e tensioni elittiche: Frédéric Durieux

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Tana Quartet, photo ©-antoine-porcher-Ars-Musica-2019_2

Quando si parla di strutturalisti la tentazione è quella di metterli tutti assieme in un cerchio che comprende tutte le arti interessate. In un momento come quello che stiamo vivendo, in cui gran parte del carico ideologico di quella corrente è praticamente ignorato, un compositore come Frédéric Durieux (1959) rischia di passare inosservato o infruttuoso. Allievo delle classi

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Articolo precedenteMiki Sawada & Brendon Randall-Myers: A Kind of Mirror
Articolo successivoSu Axel Dörner
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1700 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.