Philip Jeck

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Experimental musician Philip Jeck performing at Jonny Mugwump’s Exotic Pylon event at the Vortex in London on September 16, 2011, Draco Essentialis - Opera propria, CC BY-SA 3.0

Le modalità con cui i cosiddetti “scultori” del suono hanno cominciato ad arricchire il panorama musicale fin dalle ultime battute del Novecento, si sono poste nell’ottica di una pluralità di esigenze espressive fondate su una nuova consapevolezza dei materiali utilizzati. L’inglese Philip Jeck è stato il portavoce di come poter far musica estraendo i suoni dai vinili e

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Articolo precedenteStati schiumosi e maschere acustiche: Vasco Trilla
Articolo successivoMárton Illés: Watercolors and Psychograms
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.