Martin Taxt’s Second Room

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Nel padiglione tedesco eretto durante l’Expo di Osaka nel 1970, Stockhausen si presentò con una composizione in tema, con 3 performers di radio ad onde corte coordinati per un’espansione del suono ottenuta con altoparlanti disposti ad anelli all’interno di un auditorium dalla forma sferica. Quel giorno il compositore tedesco ebbe modo di applicare una delle sue fantastiche idee,

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Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.