Pay attention to Sofia Borges

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HR_Sofia Borges_2_foto copyright_Ian_Stenhouse

In the artistic path of a musician there is a moment when it is possible to merge the discoveries made on the instrument (the so-called exploratory or experimental phase) with the improvisational approaches. The union takes place under the pressure of ideas, perceptions, availability of technical instruments and software, becoming a personal approach. If we look at the situation of young improvisers in all parts of the world where they work, we realize that a beautiful transformation of

Articolo precedenteUn clarinetto virtuoso e mobile: Roberta Gottardi
Articolo successivoAmelia Cuni
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.