Alwynne Pritchard: it is not just a rockaby!

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Everything suggests that the Kairos monograph dedicated to the English composer and performer Alwynne Pritchard (1968), is sufficiently representative of the author’s style. Her musical DNA is made of many things: the fragmentation of the expression, creations inspired by Cage’s musical theater, sound experimentation (from the simple dexterity with objects to digital manipulation), improvisation, mimesis of costumes and dance included in the production

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Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1500 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.