Christopher Otto: Rag’sma


The twentieth century was undoubtedly the century of discoveries in microtonality as well as other areas in music. Since the times of Carrillo and Ives, a lot of water has passed under the bridge and a doctrine has emerged and increasingly infiltrated for instrumentalists in the form of alternative tuning systems, new constructions, specific intervals, and mathematical elaborations

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Articolo precedenteSu Axel Dörner
Articolo successivoJemeel Moondoc
Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.