Authenticity, scenarios and movement: a dialogue with Harri Sjöström

© photo Uli Templin

Keepers of so-called “good taste” should always improve their interpretations when evaluating a painting and should abandon their prejudices. Let us take, for example, Nude Descending a Staircase no.2, the great painting by Marcel Duchamp, an incredible insurrectionary treatise on art: it is a painting that breaks down the barriers of genre in one fell swoop, since on the basis of its appearance alone it is not possible

Articolo precedenteSensibilità senza tassonomie: Giulia Cianca
Articolo successivoContrabbasso contemporaneo e orchestre
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.