Le propulsioni della fisica sonora di Karkowski

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Source https://www.flickr.com/photos/sixteenmilesofstring/4393309863/ Author Timothy Vollmer, Creative Commons Attribution 2.0 Generic license.
Tra i polytope di Xenakis quello di Persepolis ha una natura assai ambiziosa quanto alla riconciliazione tra forma e contenuti: nato come strumento da adoperare per l’installazione, ne debordò le caratteristiche che lo volevano come un’interposizione tra la musica e l’arte architettonica; dal punto di vista strettamente musicale Persepolis ha costituito un’incredibile influenza sulle generazioni successive di musica elettronica subito dopo

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Articolo precedenteChristopher Shultis & the Experimental Music Tradition
Articolo successivoJoan Tower: String quartets nos.3-5
Music writer, independent researcher and founder of the magazine 'Percorsi Musicali'. He wrote hundreads of essays and reviews of cds and books (over 2000 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.