Esperienze sensibili ed interpretazioni d’arte

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Kunsthalle Mannheim, Skulpturengarten Klaus Duschat: Segmentbogen, Stahl, 1995, Source Self-photographed Author Photo: Andreas Praefcke

Per una nuova collocazione storica della musica di Hans Werner Henze sarebbe necessario ampliare le conoscenze sul compositore, soprattutto in materia di musica da camera. Nei giorni immediatamente susseguenti alla sua scomparsa, con un articolo apposito (vedi qui), ebbi già modo di spiegare che l’Henze più interessante si trovava in composizioni meno conosciute rispetto a quelle composte per l’opera, il balletto o

in alternativa
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Music writer and founder of Percorsi Musicali, a multi-genre magazine focused on contemporary music and improvisation's forms. He wrote hundreads of essays and reviews of cds and books (over 1800 articles) and his work is widely appreciated in Italy and abroad via quotations, texts' translations, biographies, liner notes for prestigious composers, musicians and labels. He provides a modern conception of musical listening, which meditates on history, on the aesthetic seductions of sounds, on interdisciplinary relationships with other arts and cognitive sciences. He is also a graduate in Economics.