Three highly articulate improvisers enter a room with objects that only loosely agree to be instruments. American, Philadelphia-based percussionist Ben Bennett, who explores the timbres of simplified instruments in the membranophone and idiophone families; German, Basel-based hyper-pianist and sound artist Philipp Eden, whose practice is also informed by philosophical and political reflections, as well as a strong interest in collaborative processes, and explores the interplay between instrument, environment, and listening; And Swiss, Winterthur-based (and also Berlin) Beat Keller, an explorer of the feedbacker electric guitar, who has developed a unique language through the the exploration of extended playing techniques, and guitar tunings. He is also an in-demand sound engineer.
This ad hoc free-improvising trio was
